#Hollywood
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The Octopus and the Turtle in Hollywood
The Dressmaker Looking at Jocelyn Moorhouse’s The Dressmaker through an Imago Relationship Therapy framework yields a fascinating analysis. The film is essentially a case study in generational trauma, defensive adaptations, and the polarizing dynamics of childhood wounding playing out in adult relationships.In Imago theory, individuals generally adapt to early relational pain by becoming either Maximizers… Continue reading
